
Arts & Entertainment For The Love Of Bruce
If you are a fan of Bruce Cockburn's music,
you'll want to hear Michael Occhipinti's instrumental
interpretations of this Canadian musical genius'
work when he plays the Vernon Jazz Club Saturday.
Occhipinti was a 2001 Juno nominee for best
contemporary jazz album for his arrangement
of 10 tunes from Cockburn's 25 recordings,
enetitled Creatin Dream. He was also the winner
of the 2002 National Jazz Award for guitarist
of the year.
You don't have to be a Cockburn fan to enjoy
Occhipinti, who describes his music as "hapy,
positive energy."
"When composing or developing a set
list, I'm always striving to create music
that is challenging for the musicians to play,
but that sounds easy and fun for the audience;
where they can appreciate the musicianship,
but they are also drawn in by some populist
element," he said.
Numerous artists including Jerry Garcia,
the Barenaked Ladies, Jimmy Buffett, Anne
Murray, Maria Muldaur, the Rankins, Holly
Near and Chet Atkins have covered Cockburn's
songs over the years. However, Occhipinti
approached Cockburn's music from a different
mindset.
Previously, Occhipinti and his quartet, NOJO,
played original music with some jazz standards
thrown in for variety. Then the guitarist
looked at the popular music around him and
decided to reinterpret it.
"We have tried to stay true to the spirit
of that it's a fine line to make the songs
and tunes interesting, you have to take them
as a source and spin them in a different was,"
he said.
Initially, Occhipinti reworked tunes by Th
Police and The Beatles and then turned to
Cockburns's One Of The Best Ones and If I
Had A Rocket Launcher.
"I had seen Bruce play a number of times
when I was a teenager. I had always thought
he was a very strong songwriter and a really
great guitar player."
Occhipinti was pleased by the response to
his reinterpretations of pop music.
"There was an immediate connection with
a whole part of the audience that maybe hadn't
been interested in the jazz genre before,"
he said.
"It kind of opened the door to another
part of the audience by recognizing a tune,
they were willing to take the next step and
go with you to where you reinterpreted it."
Bernie Finkelstein, Cockburn's manager and
a leading figure in the Canadian music industry
for more than 35 years, had signed Occhipinti
and NOJO to the True North label in 1998.
Finkelstein was impressed that someone would
tackle Cockburn's vocal music instrumentally,
and he encouraged Occhipinti to do a whole
album of it. Later, Cockburn humself agreed
to play on one of the cuts.
In an interview with The Toronto Star, Cockburn
had this to say about the recording: "When
I first head it, I had to listen to quite
a few minutes of some songs before I knew
what they were. It was thrilling, partly because
the songs were in an instrumental form. I
didn't have to worry about whether someone
got the lyrics right or appeared not to understand
them.
"One whole area of concern, a big one
for me, was removed. Then it was just wonderful
to realize this guy made such incredibly beautiful
music out of the bits and pieces that were
left for him to work with."
Occhipinti (an Italian name which is pronounced
"O-kee-peen-tee and means painted eyes)
and his quartet are touring with the help
Canada Council for the Arts grant.
The members of Occhipinti's quartet are talented
and well-known musicians in their own right.
Trumpeter Kevin Turcotte has toured and recorded
with several Juno Award-nominated groups and
received the National Jazz Award for trumpeter
of the year 2002. Violinist Hugh Marsh has
worked with artists as diverse as Robert Palmer,
Michael Brecker, the Red Hot Chili Peppers,
Peter Murphy and Cockburn, and won the 2002
National Jazz Award for best violinist. Drummer
Barry Romberg has performed with such jazz
greats as Joe Henderson, Rock Margitza, Metalwood,
jane Bunnett, George Garzone, Sam Rivers,
Roswell Rudd and Don Byron. He also released
two recordings. Bassist Andrew Downing is
both a gifted composer and an important figure
in the Toronto music community.
By Sue Kershaw
For The Morning Star